William Jr Tiakufotokoza: Why does architecture matter? Do we build for everyone when we create amazing destinations and grand institutions? Why do we constantly put up barriers and restrictions in the name of safety and security? Globalization and rapid urbanization has wrought about a whole new set of situations and problems that requires change in what we build. The rise of megacities, the ubiquity of smartphones and apps, increasing migration numbers, along with the spread of casual information through social media have all changed our daily lives. Throughout history, architecture has been used symbolically to represent power and to exert control. This is apparent in the monumental scale of institutional buildings, such as religious structures and government offices. Architecture has also been used as a display of wealth for different cities and countries, as observed in royal palaces and theater houses. Though this has resulted in centuries, if not millennia, of awe-inspiring structures, this trend in architecture has also created a dissociation between the institutions and the people they serve. The “Bilbao” effect has encouraged the public sector to support and push for bigger and splashier buildings that capture the headlines and our collective attention. This focuses the vast majority of development efforts on the visible and empowered. It neglects the underbelly of society who require public services and facilities the most. Social Architecture in its various forms strives to end this friction and loss of connection by breaking down the institutions, ushering them towards the people—it creates with communities in mind. It is architecture with a social purpose that takes on a scale that is often overlooked by urban planning and politics. It focuses on connecting with people on the ground, engaging the streetscape and activating public spaces. We believe that in the pursuit of social architecture, there is room to investigate this stream of thought. How would architecture be different if it were done without pre-existing bias and tendencies? What would be the strengths and weaknesses of such a philosophy? Is architecture better served by the pursuit of individual identity or social cohesion?We seek to identify the opportunities where we can apply our ideas and change how our institutional infrastructure is built. Social architecture proposes to create a network of localized institutions that are inclusive and barrier-free. Through our own projects, we have abstracted three main aspects. These are: engagement, inclusivity, and locality. All of which, when successfully achieved, creates architecture that operates in the manner of discovery and exploration, and promotes qualities for a gentle and harmonious pace for societal development.
Kopani nambala yotsatirayi kuti muwonetse mwambi wa mapangidwe #1103 pa tsamba lanu monga mawu kapena chithunzi chomwe chimalumikiza kubwerera ku tsamba la Design Adage #1103 pa Design Adage (https://designadage.com/ny/1103). Mutha momasuka kuika mawu a za mapangidwe ochokera ku Design Adage pa matasamunda anu. Mukadina pa malo a mawu, chiwonetsero chidzaonekera kuti chikuthandizeni kuona mmene mwambi ungaonekere ukaikidwa pa tsamba lanu.
Mawu a Mwambi wa Mapangidwe ndi Ulalo
Chithunzi cha Mwambi wa Mapangidwe ndi Ulalo
Muli ndi Mawu Anu a za Mapangidwe?
Titumizireni mwambi wanu wa za mapangidwe pa Social!
Fufuzani zosankhidwa zathu za tsiku ndi tsiku zokondweretsa mapangidwe apamwamba padziko lonse lapansi.
Kapangidwe ka Lero
Mphotho yaulemu yaikulu ya A' Design Award and Competition imasankha kapangidwe kapamwamba tsiku lililonse, kochokera mwa opambana a A' Design Prize, monga Kapangidwe ka Lero. Fufuzani zipangizo, mayankho ogwira ntchito, ndi zosankhidwa za kukongola za kapangidwe kosankhidwa lero ndipo dziwani chomwe chinachilimbikitsa.
Mphotho yolemekeka kwambiri ya A' Design Award and Competition yodziŵika padziko lonse imawonetsa wopanga wodabwitsa, wamasomphenya, wopambana tsiku lililonse. Phunzirani za mbiri ndi maphunziro a wopanga wosankhidwa lero ndipo dziwani ntchito zomwe zinapanga ntchito yake ndi zomwe zimalimbikitsa maganizo ake opanga.
Mphotho yodziŵika kwambiri padziko lonse ya A' Design Award and Competition imakondweretsa chitsanzo chenicheni cha mapangidwe tsiku lililonse monga Chitsanzo cha Mapangidwe cha Lero. Fufuzani ntchito za wopanga amene ntchito zake ndi luso lake zinasintha dziko la mapangidwe. Onani ntchito zake zazikulu, katundu ndi zopangidwa zatsopano ndipo onani mmene kavalidwe kake kanasintha pakapita nthawi.
Mphotho yaulemu yaikulu ya A' Design Award and Competition yolemekeka padziko lonse imawonetsa mafunso ndi mayankho osankhidwa tsiku lililonse ndi wopanga wodabwitsa monga Mafunso ndi Mayankho a Mapangidwe a Lero, pomwe wopanga wopambana wa A' Design Award amagawana mmene amapangira, m'mawu awo, katundu wopambana ndi ntchito zatsopano.
Mphotho yodziŵika padziko lonse ya A' Design Award and Competition imawonetsa wopanga wodziwika tsiku lililonse monga Choonetsedwa cha Lero. Dziwani zifukwa za kuzindikirika koyenera kwa opanga opambana a A' Design Award ndipo fufuzani ntchito zawo zoluso, katundu ndi ntchito zopambana.
Mphotho yolemekeka padziko lonse ya A' Design Award and Competition imawonetsa lingaliro lenileni la mapangidwe tsiku lililonse monga Lingaliro la Mapangidwe la Lero. Fufuzani lingaliro lenileni la mapangidwe, ndipo phunzirani za maganizo omwe ali m'mbuyo mwa ntchito yoluso yomwe inayenera kupatsidwa mphotho yaulemu ya A' Design Award.
Mphotho yodziŵika padziko lonse ya A' Design Award and Competition imawonetsa dzina logwiritsidwa ntchito ndi mapangidwe tsiku lililonse monga Dzina la Mapangidwe la Lero. Onani mapangidwe abwino, ntchito zazikulu ndi mayankho atsopano ochokera ku dzina lopambana la mapangidwe la lero, ndipo dziwani chomwe chimawasiyanitsa ndi ena.